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Batch 40: tracker rows that earlier batches' doc merges dropped are back

Browse Source 
Batches 36's doc conflicts kept main's side of rows both sides had touched; for some, main had not changed the row,
so the PR's update was lost. Restored: LR-VIEW-FILMSTRIP (#1482), KEYC-COMPARE (#1491 + #1555), LR-IMP-LOCAL
(#1547 + #1820), LR-LIB-STACK (#1556), gaps 28 (#1555), 2 (#1029) and 23 (#1038), ROADMAP UI/UX (#1038). The
raw-parity by-maker and by-use tables are re-measured with coverage.py (545 verified, ~94% / ~85%).

Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
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Brandon ThomasandClaude Opus 5.5 committed 2026-10-15 03:45:00 -04:00
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ROADMAP.md
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@@ -46,7 +46,7 @@ Hours are calibrated on this repo's PR history; see
|---|---:|---:|---:|---|
| Features | ~61% | ~77% (checklist 81.1%) | 600–1,100 h | [target-app-parity](docs/target-app-parity.md#features) |
| ↳ RAW cameras, colour, lens profiles | ~60% | 83% of 1,446 Adobe models decode, 38% verified | 255–480 h | [raw-parity](docs/raw-parity.md) |
| UI/UX fidelity | ~70% | ~85% | 34–58 h | [ui-parity](docs/ui-parity.md) |
| UI/UX fidelity | ~70% | ~85% | 32–54 h | [ui-parity](docs/ui-parity.md) |
| File formats (non-raw) | ~70% | ~85% | 30–55 h | [file-format-parity](docs/file-format-parity.md) |
| Hardware | ~40% | ~50% | 40–80 h | [hardware-parity](docs/hardware-parity.md) |
| Localization | ~55% of the 12 key languages | 7 of 12 present | 130–210 h (+145–255 h new scripts) | [localization-parity](docs/localization-parity.md) |
docs/gaps.md
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| # | Gap | Evidence | User impact | Hours | Doc |
|---:|---|---|---|---:|---|
| 1 B | **Camera colour is estimated, not measured** (LR-PROF-CAMERACOLOR). Raws start from a per-file fit to the camera JPEG, 5 bundled profiles or 52 spectral matrices; others use a neutral matrix (a black-and-white camera JPEG gives its tone curve only, #577; dark JPEG tones also guide the toe, #1307) | ΔE vs camera JPEG 2.9–10 after fitting (raw-parity.md); 0 chart-calibrated models vs 1,500 Adobe Standard profiles | every raw shooter sees colour that is close but not Lightroom's; some get neutral-matrix colour | 50–90 | [raw-parity](raw-parity.md#colour) |
| 2 B | **CR3 beyond four verified bodies** (LR-IMP-FORMATS): `crx.rs` refuses vertical-tile C-RAW, partial-subband and other plane coding, multi-tile 0x200 and adaptive low-frequency gains, and those files fall back to the preview; CR3 sRAW / mRAW and HEIF CR3 too. Verified: M50 / R100 / R8 / R5 Mark II. EOS R7 C-RAW (odd-height QP map) decodes since a45c2b66 and R6 Mark II C-RAW is reported working on 0.6.0, but neither is verified yet (no corpus test or recorded check) | measured: Canon is the largest bucket (33% of photographers) and its share whose camera fully works is the lowest of the big four, 73%; 18 of 22 popular Canon bodies write CR3, 4 verified (raw-parity.md); R7 rule checked only on paired RAW / C-RAW captures ([cr3.md](cr3.md)) | +6.2 points of photographers whose camera works, the biggest single raw gain | 25–45 | [raw-parity](raw-parity.md#remaining-work-ranked-by-photographers-unlocked-per-hour) |
| 2 B | **CR3 variants no public file uses** (LR-IMP-FORMATS): `crx.rs` refuses vertical-tile C-RAW, partial-subband and other plane coding, multi-tile 0x200 and adaptive low-frequency gains, and those files fall back to the preview. All 110 CC0 CR3s on raw.pixls.us (31 folders) decode from sensor data, so none of these variants has a public sample; 26 CR3 bodies are verified (M50 / R100 / R8 exact, R5 Mark II pinned, 22 more pinned on one CC0 file each and checked against the camera JPEG, [cr3.md](cr3.md#further-bodies-one-cc0-file-each)). HEIF stills are `.HIF` files, not CR3; no CR3 sRAW / mRAW sample exists | measured: Canon's share whose camera fully works 73% → 94% (raw-parity.md); 18 of 22 popular Canon bodies write CR3, all 18 now verified | +0.3 points of photographers; the variants surface only as user files that open as a preview | 10–25 | [raw-parity](raw-parity.md#remaining-work-ranked-by-photographers-unlocked-per-hour) |
| 3 B | **Render fidelity unmeasured** (LR-BEHAV-RENDER-FIDELITY): tone, highlights, texture / clarity / dehaze, NR and sharpening are tuned by eye | no side-by-side suite; a retune needs a new process version (only V1 exists) | edits imported from Lightroom look different; the look "isn't Lightroom's" | 30–60 | [raw-parity](raw-parity.md), [process-versions](process-versions.md) |
| 4 | ~~Original-pixel detail at 100%~~ (LR-VIEW-ZOOM): closed 2026-10-12, see Closed recently | checklist row ✅ | — | 0 | [ui-parity](ui-parity.md) |
| 5 B | **AI masks: Subject, Sky, People, Background, Landscape** are heuristics; Object / Describe run SAM 3 but its download has no mirror configured | `crates/segment`; ai-masks.md; MASK rows 67% | masking is how most Lightroom users edit today | 40–70 + model decision | [target-app-parity](target-app-parity.md#ai) |
@@ -36,14 +36,14 @@ Hours are Opus 5.5 agent wall-clock hours (see [target-app-parity.md](target-app
| 19 | **Plug-in ecosystem**: no Lightroom SDK equivalent (export / publish plug-ins, metadata plug-ins) | ⬜ | pro workflows built on plug-ins (LR/Enfuse, Jeffrey's exporters, Negative Lab Pro) | 40–80 + owner decision | [target-app-parity](target-app-parity.md#by-dimension) |
| 20 | **Long-tail raw formats**: compressed SRW, ARQ pixel shift, IIQ, Hasselblad compression, X3F, CRW, MRW, ERF, KDC, DCR, MEF, GPR, old FinePix | raw-parity.md | small user share each | 45–85 | [raw-parity](raw-parity.md) |
| 21 | **Localization**: 9 of 15 shipped languages partial (de, es, fr, ja, uk now 97–99% of catalog messages, awaiting native review; pt-BR, ru, zh-hans, zh-hant 74–92%), lower-layer errors English; Hindi, Arabic, Indonesian, Korean, Vietnamese absent; no RTL or complex shaping | measured from catalogs | non-English users see mixed English | 40–70 (shipped to full); 145–255 (five new) | [localization-parity](localization-parity.md) |
| 23 | **Accessibility**: AccessKit tree audited by a test (every control named, sliders with range); left: canvas handles, spot and mask placement by keyboard, a session with a real screen reader | LR-BEHAV-ACCESS 🟡 | blind and low-vision users | 4–8 | [ui-parity](ui-parity.md) |
| 23 | **Accessibility**: AccessKit tree audited by a test; canvas handles, spots and mask pins by keyboard; left: brush and red-eye by keyboard, a session with a real screen reader | LR-BEHAV-ACCESS 🟡 | blind and low-vision users | 2–4 | [ui-parity](ui-parity.md) |
| 22 | **Pen pressure on macOS / Linux tablets** (brush size and flow follow pressure where winit reports a pen force), OS monitor profiles on Windows (Linux reads colord's, macOS the screen's), follow-window colour on Linux / Windows | hardware-parity.md | brush users with tablets; multi-monitor setups | 11–22 | [hardware-parity](hardware-parity.md) |
| 24 | **Brush live preview and masking feel** (#517, #518); Feather / Edge mask refinement (15.5) | issues | masking feels slower than Lightroom | 8–12 | [ui-parity](ui-parity.md) |
| 25 | **File writes**: AVIF import; Render to DNG as a catalog command (lossy DNG and the Render to DNG export format landed) (PSD export landed with Edit in PhotoCraft, #953) | file-format-parity.md | interchange edge cases | 19–34 | [file-format-parity](file-format-parity.md) |
| 26 | **Performance at scale**: 85k-photo library opens in 1.7–4.7 s; 100k grid test pending; colour NR at half resolution; at 100k photos stack and album lookups are indexed (an "In a Stack" or "Album" smart album counts in ~14 ms, was 0.6–2.7 s) | ROADMAP log, gpu-pipeline.md | large-catalog users | 15–30 | [target-app-parity](target-app-parity.md#by-dimension) |
| 27 | **Windows / Linux runtime coverage**: Windows installer UI unverified on Windows (#79); GPU path proven on Apple and on one AMD GPU on Linux (Radeon 8060S, Vulkan); NVIDIA, Intel and DX12 unverified; the Linux riscv64 tarball (new in 0.6.0, #844) is cross-compiled and never run beyond a QEMU smoke test | ROADMAP, issues, `release.yml` | non-Mac users find bugs first | 13–27 | [hardware-parity](hardware-parity.md) |
| 29 | **HDR merge leftovers** (LR-MERGE-HDR): AI Denoise doesn't run on merged (linear) DNGs; JPEG brackets are treated as linear (no camera response curve); every frame is held as 32-bit float, ~0.86 GB per 67 MP frame (half-float frames would halve it) | tested on Sony A7R VI brackets 2026-10-14 ([merge.md](merge.md)); Lightroom's Denoise supports HDR DNGs | HDR shooters who denoise their merges, merge JPEGs, or merge 7+ frames of high-resolution raws on 16 GB machines | 10–20 (+ denoise linear-RGB contract, gap 11) | [merge](merge.md) |
| 28 | **Small Classic shortcuts and keys**: rating `[` `]`, flag cycling, filter-bar keys, F1 help, panel keys (Tab, F5–F8) | [ui-parity](ui-parity.md#shortcuts) | Classic muscle memory | 4–8 | [ui-parity](ui-parity.md) |
| 28 | **Small Classic shortcuts and keys**: rating `[` `]`, flag cycling, filter-bar keys, F1 help, panel keys (Tab, F5, F8; F6 and F7 toggle the filmstrip and the left panel) | [ui-parity](ui-parity.md#shortcuts) | Classic muscle memory | 4–8 | [ui-parity](ui-parity.md) |
Beta-blocking gaps (B) total **~230–430 h**; with the stability and platform work they need around them,
**~340–600 h** to beta (incl. 40–80 h for the ~92 open core-path user issues) (see [target-app-parity.md](target-app-parity.md#stage)).
docs/parity-checklist.md
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| LR-IMP-RAWDEFAULT | Raw defaults | P1 | ✅ | `cmd:library.preferences`, `crates/engine/src/import.rs`, `crates/ui-egui/src/panels/settings.rs` | LightCraft default / a preset / per camera (make + model); non-raw default too; the preset look counts as unedited and Reset returns to it |
| LR-IMP-MIGRATE | Migrate other catalogs | OOS | 🚫 | | |
| LR-IMP-PROFILES | Import profiles & presets | P1 | ✅ | `cmd:file.importPresets`, `cmd:preset.import`, `cmd:profile.import`, `crates/engine/src/preset_import.rs`, `crates/engine/src/preset_luminar.rs` | presets: .lcpreset, XMP, classic .lrtemplate (local adjustment templates become mask effects, LR-MASK-EFFECTS), photos carrying edits ("DNG presets"), Luminar looks (.lmp, .mplumpack collections; sliders with a counterpart), .zip bundles, folders (folder → group), drag & drop (an `.xmp` dropped together with its photo is that photo's sidecar and is not imported as a preset, issue #936); masks carried over; unmapped settings reported (fields that only describe the preset or photo, e.g. `Cluster`, `SortName`, `SupportsAmount2`, the as-shot white, empty Point Color slots, are not); profiles: .cube 3D LUTs (one toast reports both halves; a LUT that fails is named with its reason); a preset that names a profile (`crs:Look`) applies the imported profile of that name, imported before or after it, and Lightroom's basic profiles map to ours (`crates/engine/src/profile_refs.rs`, issue #1001); Adobe profile formats deliberately unsupported (so `.xmp` creative profiles' colour tables aren't read) |
| LR-IMP-LOCAL | Work on files in place | P0 | ✅ | `cmd:library.browse`, `cmd:photo.addToLibrary`, `cmd:library.import` (mode add), `cmd:local.addRoot`, `cmd:local.hide`, `cmd:local.restoreHidden`, `crates/engine/src/cmd/browse.rs`, `crates/ui-egui/src/panels/left.rs` (`local_section`), `crates/ui-egui/src/panels/grid.rs` (`folder_header`) | Local: browse Pictures / Desktop / Downloads / Home or any folder without adding it (breadcrumb, Include subfolders, Add N to My Photos); browsed photos stay out of All Photos, albums and counts (album commands skip them and the album menus say to Add to My Photos first, issue #684); folders picked with Browse Folder… (or Keep in Local / Add to Local on a folder row) stay listed across restarts, and browsing a folder inside a listed one highlights it inside that tree (opened down to it, siblings reachable) instead of adding a root; edits go to XMP sidecars; importing promotes them; right-click a top-level location → Remove from Local hides the shortcut only (nothing on disk or in the catalog changes), saved with the UI state, and “Show N hidden locations” (or Browse Folder… on it) brings it back; a folder is one location however its path is spelled (`/` or `\`, trailing separator, `.`/`..`, drive-letter case; `folder_key` in `crates/catalog/src/query.rs`); browsed photos nobody changed are forgotten once their folder has not been browsed for 30 days (Settings → Performance → Local folders, 0 = never; checked when the library opens, or `cmd:library.forgetLocal` with `dryRun`; files and sidecars stay, browsing again brings them back; see `crates/catalog/src/local.rs` for what counts as a change) |
| LR-IMP-LOCAL | Work on files in place | P0 | ✅ | `cmd:library.browse`, `cmd:photo.addToLibrary`, `cmd:library.import` (mode add), `cmd:local.addRoot`, `cmd:local.hide`, `cmd:local.restoreHidden`, `crates/engine/src/cmd/browse.rs`, `crates/ui-egui/src/panels/left.rs` (`local_section`), `crates/ui-egui/src/panels/grid.rs` (`folder_header`) | Local: browse Pictures / Desktop / Downloads / Home or any folder without adding it (breadcrumb, Include subfolders, Add N to My Photos); browsed photos stay out of All Photos, albums and counts (album commands skip them and the album menus say to Add to My Photos first, issue #684); folders picked with Browse Folder… (or Keep in Local / Add to Local on a folder row) stay listed across restarts, and browsing a folder inside a listed one highlights it inside that tree (opened down to it, siblings reachable) instead of adding a root; edits go to XMP sidecars; importing promotes them; right-click a top-level location → Remove from Local hides the shortcut only (nothing on disk or in the catalog changes), saved with the UI state, and “Show N hidden locations” (or Browse Folder… on it) brings it back; a folder is one location however its path is spelled (`/` or `\`, trailing separator, `.`/`..`, drive-letter case; `folder_key` in `crates/catalog/src/query.rs`); browsed photos nobody changed are forgotten once their folder has not been browsed for 30 days (Settings → Performance → Local folders, 0 = never; checked when the library opens, or `cmd:library.forgetLocal` with `dryRun`; files and sidecars stay, browsing again brings them back; see `crates/catalog/src/local.rs` for what counts as a change); browsing a folder again forgets at once the untouched records of its files that another app deleted or moved, so they no longer fail to load on every visit (issue #1392; changed ones stay, shown as missing); browsing a folder keeps the active photo when the folder shows it, else makes the folder's first photo active as it arrives, the same rule as albums and the other sources (`Session::keep_active_in_view`; issue #1447: before, a library photo stayed active, so Photo Grid marked nothing and Detail, the histogram and the info showed a photo the folder doesn't hold) |
| LR-IMP-SIDECAR-SPLIT | Separate XMP sidecar variants | P2 | ⬜ | `cmd:library.xmpPreferences` | sidecar naming option exists (stem/full), no split sidecars |
| LR-IMP-FORMATS | Supported formats | P0 | 🟡 | `crates/codecs/src/lib.rs`, `crates/raw/src/lib.rs`, `crates/raw/src/jxl.rs` | JPEG, PNG, TIFF (1- to 64-bit integer, 16- to 64-bit float, incl. bilevel and CCITT fax), WebP, JXL, PSD, GIF, BMP (lossy wide-gamut JXL decodes to the right colours: jxl-oxide desaturated XYB rendered to P3/Rec. 2020, worked around in `crates/codecs/src/jxl.rs`); DNG (incl. lossy / Smart Preview DNG and DNG 1.7 JPEG XL tiles/strips: lossless ones decode bit-exactly on synthetic CFA and LinearRaw files, lossy ones are restored to the declared linear primaries without clipping or gamut mapping, checked on one real file with 108 lossy tiles, and any tile that fails to decode makes the file preview-only; DNG 1.7 row/column-interleaved rasters (`RowInterleaveFactor` / `ColumnInterleaveFactor`) are undone before the mosaic is read, so a file from Adobe's converter with a 2×2 interleave no longer decodes as four scaled-down copies in the wrong colours; a dimension the factor does not divide decodes with short trailing fields; verified on 4 real ILCE-6400 JPEG XL DNGs rendering bit-identical to their non-interleaved twins, factors above 2 rest on the plain reading of the tag; a single-chunk JPEG XL preview IFD is offered as the embedded preview; a DNG whose samples pile up at one value well below its stated `WhiteLevel`, as a camera app's 12-bit Bayer DNG that states 4095 and clips at 3567, has those samples raised to the white level on decode, so highlight reconstruction sees the clipped areas instead of white balance tinting them magenta, issue #548, `crates/raw/src/saturation.rs`), CR2 (colour-filter layout from the file's `CR2CFAPattern` tag, issue #85), ARW (pre-2017 bodies: white balance and black level from the encrypted `SR2SubIFD`, issue #148, its `WB_RGGBLevels` being the white balance the camera applied, issue #535; the DSLR-A900's packed 12-bit strip, two pixels per three bytes, read only when the strip is exactly 1.5 bytes per pixel, with its camera-JPEG window centred, checked on one CC0 file (A850 unmeasured); downsized Sony lossless YCbCr 4:2:0 / 4:2:2 tiles decoded to linear RGB, verified on private ILCE-7M4 3:2 & 4:3 examples including 16-bit full-resolution export; Sony DSC-R1 .SR2 decodes, its big-endian 16-bit words read in the order that fits the sample range, checked on the CC0 3221 sample; its crop and white balance live in the SR2SubIFD and are not read yet; ARW6 Compressed / Compressed (HQ) of the ILCE-7RM6 (`crates/raw/src/vendor/arw6.rs`, `crates/raw/src/llvc.rs`; 12-bit codes exact against a black-box oracle on 8 CC0 files, FF over the full frame, APS-C in the interior (LibRaw's own edge rows differ); output through our own companding curve, measured from CC0 lossless / ARW6 pairs; geometry checked against the camera JPEG, `docs/arw6-compression.md`; the ILCE-7M5 writes the same codec, unverified)), NEF (uncompressed, lossless and lossy compressed 12/14-bit, `crates/raw/src/vendor/nefc.rs`), RAF (uncompressed, lossless/lossy compressed Bayer and X-Trans; `crates/raw/src/vendor/rafc.rs`, full sensor verification on 13 bodies, `docs/raf-compression.md`), RW2 / Leica RWL / Panasonic RAW in every raw format (compressed 4 and 6, the prefix-coded strips of format 8 from the GH6 on, packed 2/5/7, the 16-bit words of the 2005–2007 bodies; black levels, in-camera aspect crops and mapped-out defect pixels; 178 CC0 files from 118 bodies checked, `crates/raw/src/vendor/rw2.rs`), PEF, ORF (uncompressed; colour-filter layout from the file's Exif `CFAPattern`; 12.8 bit/px 16-byte blocks of ten 12-bit samples + a zero pad byte, E-300 / E-330 / E-500 verified on CC0 files, E-M5 Mark II / PEN-F high-res files decode smooth but CFA and black unverified), Kodak DCS520C TIFF (a two-component 12-bit lossless JPEG strip, the two components the even and odd columns; the file's `GrayResponseCurve` table linearises the companded samples to 12 bits, black measured per CFA position, white balance from the `KodakIFD`; `RawFormat::KodakDcs`, `crates/raw/src/vendor/kodak.rs`, checked on the one CC0 sample against its IFD0 thumbnail), Hasselblad 3FR and FFF (a TIFF without a DNG version tag that describes its CFA IFD, levels, crop and white balance with DNG's tags; `RawFormat::CfaTiff`, read by `dng::decode_as`, RGGB when the file states no `CFAPattern`): uncompressed (X1D, X1D II, X2D, CFV 100C) and Hasselblad's lossless JPEG with scan selection value 8 (every FFF; H3D, H4D and CFV-50c 3FR), `ljpeg::decode_hasselblad`, its rule measured on 14 CC0 files with the ljpeg-explorer tool, Samsung SRW without compression (NX5, NX10, NX11 and the NX20-generation bodies NX20, NX200, NX210, NX1000 and NX1100 as 12-bit packed samples in either bit order, EX1 and WB2000 as 16-bit words; layout, camera-JPEG framing, levels and white balance from the maker note, `crates/raw/src/vendor/srw.rs`; median ΔE vs the camera JPEG 2.2–7.6 on 11 of the 12 files from 10 bodies checked, 10.7 (5.7 registered)Line truncated
| LR-IMP-CAMERA-COVERAGE | Camera coverage, verified per model | P0 | 🟡 | `crates/raw/tests/corpus.rs`, `crates/raw/tests/coverage_sweep_corpus.rs`, `docs/raw/evidence.tsv`, `docs/raw/coverage-sweep.tsv`, `xtask/src/main.rs` | a supported container is not the same as every camera that writes it decoding correctly: ~55 CC0 corpus files plus 6 exact-sensor CR3 cases and 4 pinned EOS R5 Mark II files (plus ~60 NEFs checked by hand and 178 Panasonic / Leica RW2, RWL and RAW files from 118 bodies, checked against each file's own JPEG) against the >1,000 models Lightroom lists; per-model differences still surface (e.g. the CR2 colour-filter layout differed by model until it was read from the file's own tag, issue #85, checked on 35 CR2 bodies; CR2 black levels were read from border columns light already reaches, left of `SensorInfo`'s border, so CR2s rendered dark with crushed shadows (EOS 6D: 2591 instead of 2047), now measured from the masked columns only, checked on 8 corpus bodies; pre-2017 Sony ARWs opened green until their scrambled white balance / black level were read, issue #148, checked on 16 ARWs from 15 Sony bodies; their white balance now comes from the encrypted `SR2SubIFD`'s `WB_RGGBLevels`, the gains the camera applied, which 14 bodies (DSLR-A450 … A700, NEX-3/5/C3, SLT-A33/A35/A55, ILCE-6001, UMC-R10C) had no other source for and which the maker-note estimate read before missed by up to 100 % on preset shots, issue #535, checked against ExifTool on 100 decoded ARWs from 87 Sony bodies; the encrypted SR2 black level is now read from its directory entry (the DSLR-A450/A500/A550/A700 read 354–975 instead of 512), checked on 126 ARWs from 97 Sony bodies, and downsized lossless M/S ARWs use their measured black level 1024 instead of 512, checked on 12 files from 4 bodies, issue #535, and on a fifth, the ILCE-7CM2 (issue #697: 0.5.0 rendered its lossless M file with that 512 pedestal, the darkest half of a dusk scene +11 L* and blue, the lamplight white; its darkest 0.1 % per channel sits at 1017/1020/1024, and with 1024 the render is within +3 L* of the camera JPEG; the body's compressed and uncompressed "M-size" files are Bayer at 4736×3132 with black 512, two public ones in the corpus); pre-2017 Sony bodies shot in the camera's 16:9 mode (ILCE-7SM2, DSLR-A580) now get the 16:9 crop of their camera JPEG instead of the whole 3:2 frame with padding columns, issue #535; Canon PowerShot and EOS M CR2s whose `ColorData` is stored as bytes opened green until the bytes were read as 16-bit words, 25 files from 25 bodies checked; private Z 8 crop verified; the Nikon D4, which records no CropArea, gets its image area and white level measured on 148 NEFs against the camera JPEG (optical-black stripes and magenta clipped highlights gone); the D7100, whose data holds picture beyond the camera's frame, develops at Lightroom's frame (the camera JPEG's size) in full frame and 1.3x crop, so Lightroom crops line up (#1248).; CR2 white levels came from masked rows holding samples at 16383, so on the EOS 50D, 60D, 450D (Rebel XSi), 500D (Rebel T1i), 550D (Rebel T2i), 1200D (Rebel T5) and 100D (Rebel SL1) clipped highlights sat at 81–98% of the range and were not treated as clipped, now taken from the active area only, issue #1272). Compressed RAF sensor arrays verified on 13 Fujifilm bodies (`docs/raf-compression.md`). ILCE-7RM6 ARW6 12-bit codes verified on 8 CC0 files (FF and APS-C, both compression modes). Sony ILCE-7CR (61 MP): lossless compressed L and M and compressed ARW2 samples of one scene in the corpus (black level, default crop, as-shot gains, lossless vs compressed mosaic agreement, fitted camera look), and all nine public codings (also uncompressed, small and APS-C crop) decode and fit. Grow the CC0 corpus per model and test each sample decodes with plausible colour. Nikon CropArea and untagged-preview colour-space regression tests; the Nikon D4, which records no CropArea, gets its image area and white level measured on 148 NEFs against the camera JPEG (optical-black stripes and magenta clipped highlights gone). Pentax PEFs without area tags (KP, KF, K-3 Mark III, K-70, K-1, K-1 Mark II, K-S1, K-S2, 645Z) no longer keep their masked border: black, empty and saturated lines are trimmed against the maker-note BlackPoint, issue #1271, measured on 38 CC0 PEFs from 30 bodies.; Canon PowerShot and EOS M CR2s whose `ColorData` is stored as bytes opened green until the bytes were read as 16-bit words, 25 files from 25 bodies checked). Compressed RAF sensor arrays verified on 13 Fujifilm bodies (`docs/raf-compression.md`). ILCE-7RM6 ARW6 12-bit codes verified on 8 CC0 files (FF and APS-C, both compression modes). Sony ILCE-7CR (61 MP): lossless compressed L and M and compressed ARW2 samples of one scene in the corpus (black level, default crop, as-shot gains, lossless vs compressed mosaic agreement, fitted camera look), and all nine public codings (also uncompressed, small and APS-C crop) decode and fit.Line truncated
@@ -107,7 +107,7 @@ differences and missing bindings are in [ui-parity.md](ui-parity.md#shortcuts).
| LR-LIB-LABEL | Colour labels | P1 | ✅ | `cmd:photo.label`, `cmd:label.setNames`, `cmd:label.names`, `cmd:dialog.labelNames`, keys 6–9 in `crates/ui-egui/src/shortcuts.rs` | Photo menu and grid context menu (coloured, named), Info-panel swatches, label dot plus translucent colour on square-grid/filmstrip surrounds and photo-grid footers (photo pixels unchanged); colour-label toasts have pale matching backgrounds; setting/clearing through keys (including Shift), menus or Info swatches shows the same bottom toast as ratings, with the colour/custom name; editable label names (undoable, journaled); no purple key (as in Lightroom), no custom extra labels |
| LR-LIB-KEYWORD | Keywords | P0 | ✅ | `cmd:panel.keywords`, `cmd:photo.setMeta` (`addKeywords`/`removeKeywords`), `cmd:keyword.list`, `cmd:keyword.rename`, `cmd:keyword.delete`, `cmd:keyword.merge`, `cmd:keyword.suggest`, `crates/catalog/src/keywords.rs`, `crates/ui-egui/src/panels/left.rs` | left-panel keyword tree with counts (click filters, children included; context menu rename / merge / delete / add / remove); library-wide ops are one undo step and replay from the op log; suggestions (co-occurring / most used / completions) in the Keywords panel; keywords reorganize by drag and drop in the Keyword List (LRC-LIB-KEYWORDS) |
| LR-LIB-PEOPLE | People / faces | P2 | 🟡 | `cmd:faces.detect`, `cmd:view.people`, `cmd:view.faceBoxes`, `cmd:photo.removeRegion`, `cmd:photo.setRegion`, `cmd:library.filter`, `crates/ui-egui/src/panels/people.rs`, `crates/catalog/src/query.rs` (`people`), `crates/engine/src/media.rs` (`face_job`), `crates/meta/src/xmp.rs` | MVP: named face regions read from XMP (MWG-RS, read-only, see `docs/xmp-interop.md`; clipped to the photo; Lightroom's `Rotation` of ±π/2 and π handled, mirrored orientations taken as written; boxes follow Rotate Left/Right and flips; a sidecar stating `mwg-rs:Regions`, even empty, replaces the photo's on re-read, one without leaves them) become cards in the People view (View ▸ People, or the People button in the toolbar): a close-up of the person's largest face, name and photo count; a click filters the grid (`person` in `library.filter`, `person:` search token, filter chip). Face boxes in the loupe can be switched off (View ▸ Face Boxes, toolbar) resized with eight drag handles and removed with the × shown on hover (catalog-only and undoable, one undo step per drag; the sidecar is never rewritten for either); no moving a box by dragging it yet. Photo ▸ Detect Faces (`cmd:faces.detect`) finds faces with the YuNet detector (pure Rust, about 200 ms a photo, matches OpenCV's own YuNet on a 45-photo test set; the 232 KB model is a one-time download offered in the same step, never part of LightCraft) and adds them as unnamed boxes; names are suggested from the faces already named (recognition models are opt-in downloads, run on the CPU in a background thread; a face is named only when you confirm it); a person's page shows their cropped faces and the unnamed faces that look like them (LRC-LIB-PEOPLE), with a user-triggered ↑ action or targeted A key to name all shown suggestions at or above one score in one undo step; with recognition on, a background scan finds faces in photos that have none and embeds every face (one to three worker threads, raws through their embedded preview); an Unnamed faces section orders faces by likeness and names a selected group at once; no separated clusters, no manual tagging, no writing regions back |
| LR-LIB-STACK | Stacks | P1 | ✅ | `cmd:stack.group`, `cmd:stack.ungroup`, `cmd:stack.toggle`, `cmd:stack.setTop`, `cmd:stack.remove`, `cmd:stack.auto`, `crates/catalog/src/stacks.rs` | grid/filmstrip count badges, expand/collapse, auto-stack by capture time; no visual-similarity auto-stack |
| LR-LIB-STACK | Stacks | P1 | ✅ | `cmd:stack.group`, `cmd:stack.ungroup`, `cmd:stack.toggle`, `cmd:stack.setTop`, `cmd:stack.remove`, `cmd:stack.auto`, `cmd:photo.delete`, `crates/catalog/src/stacks.rs` | grid/filmstrip count badges, expand/collapse, auto-stack by capture time; delete / remove folder drop the photo from the stack so `i/n` updates (#1493); no visual-similarity auto-stack |
| LR-LIB-VERSIONS | Versions | P1 | ✅ | `cmd:version.create` | see section M |
| LR-LIB-DELETE | Delete / Recently Deleted | P0 | ✅ | `cmd:photo.delete`, `cmd:photo.restore`, `cmd:photo.deletePermanently` | Delete and Delete Permanently retain surviving selected photos; if none remain, select the next visible survivor (previous at the end) in the current source/filter/sort; permanent deletion removes catalog records, not files on disk; Restore and Delete Permanently in the Photo menu and the photo context menus for photos in Recently Deleted (before, the UI had no way to restore); importing a file that is in Recently Deleted again restores the photo with its edits, rating and albums (issues #298, #706: before, the import skipped it as "already in the library" while the grid showed it deleted) — the review dialog checks it, badges it "Will be restored", counts it as "in Recently Deleted" rather than "already in the library", and its choice Restore them / Import as new / Leave them starts on Restore; with Leave them such a file starts unchecked and Check All and the file-type toggles leave it out, but a click still checks it and it is restored (issue #1285: before, the click did nothing and the "In Recently Deleted" badge was drawn over the checkbox, which now sits above it); dropped files restore too ("Restored 1 photo from Recently Deleted"); a deleted photo matched by content whose file is gone is relinked to the imported file; Photo ▸ Empty Recently Deleted (`cmd:library.emptyRecentlyDeleted`, one undo step, shown while the trash is the source); import takes `onDeleted` restore (default) / skip / fresh for files in the trash (`cmd:library.import`; the report lists `restored`, and with skip flags the duplicate `existingDeleted`); browsing a folder in Local (`cmd:library.browse`), Auto Import and a Lightroom catalog import never restore a deleted photo; no confirmation dialog, no auto-purge after N days (needs a deleted-at date in the catalog); Delete asks first ("Move this photo to Recently Deleted?") from the key, the Photo menu and the photo context menu, on by default and switched off in Settings ▸ General (#1239: before, it was off by default and the context menu never asked); no auto-purge after N days (needs a deleted-at date in the catalog) |
| LR-LIB-REMOVE-ALBUM | Remove from album | P0 | ✅ | `cmd:album.removePhotos`, `crates/engine/src/tests_album_remove.rs`, `crates/ui-egui/src/tests_album_remove.rs` | changes the album only: the photos stay in the library, their library folder and their folder on disk (issue #1805); `id` defaults to the album on screen; returns `{removed, album}`. In a normal album ⌫ removes from the album (as in Lightroom; no confirmation, one undo step), in a smart album it changes nothing and says to edit its rules |
@@ -130,7 +130,7 @@ differences and missing bindings are in [ui-parity.md](ui-parity.md#shortcuts).
| LR-VIEW-DETAIL | Single-photo view | P0 | ✅ | `cmd:view.detail`, `crates/ui-egui/src/panels/detail.rs` | a “Rendering…” pill at the bottom of the photo (widget `loupe:rendering`; above the Navigator when that is in the way) once a render has been on its way for 0.5 s with nothing new on screen: over a stand-in (the raw's embedded JPEG, a thumbnail), the previous render after an edit, or, zoomed in, the magnified frame waiting for its window; Before views watch their own renders. Always on (Lightroom Classic makes it a View Options choice). When the render fails behind a stand-in, a caution pill says “This photo can't be opened” (“Original offline · no smart preview” when that is why) with the reason on hover and for screen readers (widget `loupe:renderFailed`; `ui.inspect` → `loupe.failed`) |
| LR-VIEW-EDIT | Edit view | P0 | ✅ | `cmd:panel.edit` | |
| LR-VIEW-FULLSCREEN | Full-screen preview | P1 | ✅ | `cmd:view.fullScreenPreview`, `cmd:view.enterFullScreen` | photo on black, arrows step, Esc exits; ⇧⌘F window full screen |
| LR-VIEW-FILMSTRIP | Filmstrip | P0 | ✅ | `cmd:view.filmstrip`, `crates/ui-egui/src/panels/detail.rs` | the photo context menu on right-click; the mouse wheel scrolls it sideways; it follows the active photo only when that changes (centred if off screen), so a scrolled strip stays put; every selected photo is highlighted, the active one framed in white, as in the grid |
| LR-VIEW-FILMSTRIP | Filmstrip | P0 | ✅ | `cmd:view.filmstrip`, `crates/ui-egui/src/panels/detail.rs` | the photo context menu on right-click; the mouse wheel scrolls it sideways, a third of its width per notch as in Lightroom Classic (trackpads scroll the points they report); it follows the active photo only when that changes (centred if off screen), so a scrolled strip stays put; every selected photo is highlighted, the active one framed in white, as in the grid |
| LR-VIEW-ZOOM | Zoom & pan | P0 | ✅ | `cmd:view.zoomFit`, `cmd:view.zoom100`, `cmd:view.zoomIn`, `cmd:view.zoomOut`, `cmd:view.zoomToggle`, `cmd:view.clickZoom`, `cmd:view.navigate`, `crates/ui-egui/src/panels/detail.rs`, `crates/ui-egui/src/headless.rs` | continuous native pinch / modifier-wheel zoom (Fit–800%, anchored under the pointer), two-finger scroll / touch pan with edge limits; Detail (including tools, Before/After and full-screen preview), Compare and Reference; fractional percentages preserve small gestures; image, picker and targeted-adjustment cursors stay steady between gesture events; keyboard steps 25–800 % (not 6–1600 %); Fill in the bottom bar; click / Z / Space eases to the chosen ratio (1:1 default, 2:1, 3:1, 4:1, 8:1). The loupe's cost follows the canvas, not the zoom (issue #323): the whole frame is rendered at about canvas size (at most the 2560 px preview source level unless a larger Preview size is chosen, and never above the GPU's texture side), and once the view is zoomed well past that (more than 25 %) the window on screen is rendered too, cut from a frame of at most the photo's own pixels, so beyond 100 % the GPU magnifies it (`region::plan`, `RenderRequest::window`, `Session::region_job`, `crates/ui-egui/src/region.rs`); 1:1 and 2:1–8:1 are sharp at any photo size. A slider tick takes 7–12 ms on a 1400 × 900 canvas and 11–25 ms on a 2800 × 1700 one at 100 % and 400 % of a 24 MP photo (M1 Max, GPU, `profile_slider_drag`); about 20–25 ms at 100 % on the big canvas is over a 16 ms frame. A slider drag renders the whole frame at full size where the GPU draws the view, so the fit view stays sharp while dragging, and at 0.6 of it where that would be too slow: on the CPU, with soft proofing or the HDR range shown, or for a control whose full-size drafts on this photo went over the 16 ms slider budget in an earlier drag (a LUT profile or refined mask the CPU renders, a photo past a GPU limit, a slow GPU); a draft's time is its render plus the frame that uploads and shows it. The size is chosen when a drag starts and kept until it ends, unless its full-size drafts take more than twice the budget, when it drops to 0.6 after three of them (`region::DragScale`, issue #330). Zoomed in, the whole-frame draft under the window is the 0.6 one (only the histogram and the window's stand-in use it). Render workers convert the pixels for their textures, not the UI thread. Handing GPU renders to egui without a CPU readback is #1228. A continuous pinch holds the render sizes (and the windows there are) until it is quiet. A fit view on a canvas up to about 3200 px (a Retina Mac) never decodes the original; larger displays get a window at fit, which does. Diagnostic overlays that need whole-frame context (Visualize Spots, Point Color range, HDR range) and photos whose spots or Auto Mask strokes read too far for one window (only photos longer than 8192 px) render the whole frame at the size it is drawn, as before windows; while a preset or profile is hovered, or over a picture that is not the frame (an unsupported raw's embedded JPEG), the whole frame stays canvas-sized. Before/After (side by side, stacked, `\\` and both wipes) gets the same windows on both sides, clipped to their pane or side of the line. Windows render on the GPU like whole frames (equivalence-tested against the CPU), in the browser build too (windows no wider than its GPU's texture side, at most 3072 px), and are not made while hovering a look or showing a diagnostic overlay, nor over a picture that is not the frame (an unsupported raw's embedded JPEG with another crop). No texture is larger than the GPU allows. Spots and Auto Mask brushes work while what a window reads fits one render (8192 px along an axis, 4096 in the browser): the window grows to hold the spot and its source patch, or the dabs near it, and if that would take more (a clone from far away at 8:1) the loupe keeps the whole-frame render instead, and spots with an automatic source pick it from a fixed-size render of the whole frame (so a window's choice can differ from a whole-frame render's, which picks at its own resolution). The wide stages (dehaze, clarity, highlights/shadows base) and Refine Edges on masks read a window margin capped at 768 px; measured on hard-edged blocks that costs at most a few levels at 8:1. the histogram and Navigator come from the whole-frame render. Compare and Reference get the same windows, one per pane (`Slot::CompareRegion`, `panels/compare.rs`), over each pane's whole-frame render (at most 2560 px); while either view is open two originals stay decoded (`MediaCache::set_full_capacity`), so one pane's window does not evict the other's source; a pinch, or a slider drag on the active photo in Reference, keeps the windows there are until it ends. Mask overlays and soft proofing get the same windows (the window carries the overlay or the proof; the proof renders on the CPU, so a tick at 100 % on a 1400 × 900 canvas takLine truncated
| LR-VIEW-FOCUSPOINT | Camera focus point overlay and zoom (beyond Lightroom) | P2 | 🟡 | `cmd:view.focusPoint`, `cmd:view.zoomToFocus`, `cmd:view.zoomToggle`, `cmd:photo.reload`, `cmd:photo.readFocusPoints`, `cmd:focus.pump`, `crates/meta/src/focus.rs`, `crates/meta/src/focus_read.rs`, `crates/engine/src/focus_scan.rs`, `crates/engine/src/tests_focus_scan.rs`, `crates/ui-egui/src/panels/detail.rs` (`focus_box`, `draw_focus_point`), `crates/ui-egui/src/panels/compare.rs`, `crates/ui-egui/src/tests_focus_point.rs`, `docs/focus-points.md` | an extra (Lightroom shows no focus points): the AF frame read from the file at import; photos imported earlier get it in the background from a header-only read of each file (about 32 KB, ~100 photos/s from a spinning disk; activity row, cancellable, resumable; Photo ▸ Read Focus Points) as a box on the upright photo, drawn in Detail, Compare and Survey through rotation and crop (View ▸ Show Focus Point, ⌥F); Toggle Zoom centres on it (View ▸ Zoom to Focus Point, on by default); Info panel row `AF-C · Wide · Animal Eye Tracking`; `meta.focus` in `photo.inspect`. Partial: Sony ILCE-1 and ILCE-7SM3 only (layout checked against 333 files); other Sony bodies and other makers not yet; manual focus and centre-only Wide reports show nothing; Compare panes share one pan, so Z centres on the active photo's point only |
| LR-VIEW-NAVIGATOR | Navigator mini map | P1 | ✅ | `cmd:view.navigator`, `crates/ui-egui/src/panels/detail.rs` | shown while zoomed (bottom right); click/drag pans |
@@ -777,7 +777,7 @@ From `08-lightroom-classic-extras.md` (Classic-only features) and part 2 of `06-
| KEYC-VIEWS | Classic view keys (E, G, C, N, L, F, I, ⇧R, ⌘⌥0) | P2 | 🟡 | `cmd:view.photoGrid`, `cmd:view.zoom100` | G works; E opens Edit (not loupe); no compare/survey/lights-out/screen modes |
| KEYC-SECONDWINDOW | Classic secondary-window keys | P2 | ⬜ | | |
| KEYC-CATALOG | Classic photo/catalog keys (⇧⌘I, ⌘', ⌘R, F2, ⌫, ⇧⌘E…) | P2 | ✅ | `cmd:library.import`, `cmd:photo.delete`, `cmd:photo.virtualCopy`, `cmd:app.showInFinder`, `cmd:dialog.rename`, `cmd:photo.editInExternal` | ⇧⌘I add, ⌘' virtual copy, ⌘R show in Finder, F2 rename, ⌫ delete, ⇧⌘E external editor |
| KEYC-COMPARE | Classic grid/compare keys (Z, Home/End, =/−, ⌘⇧D, S…) | P2 | 🟡 | `cmd:view.zoomToggle` | Z toggles zoom; no compare, stacks, thumbnail-size keys |
| KEYC-COMPARE | Classic grid/compare keys (Z, Home/End, =/−, ⌘⇧D, S…) | P2 | 🟡 | `cmd:view.zoomToggle`, `cmd:view.thumbSizeUp`, `cmd:view.thumbSizeDown`, `crates/ui-egui/src/tests_zoom_keys.rs`, `cmd:library.select`, `crates/ui-egui/src/shortcuts.rs`, `crates/ui-egui/src/tests_keymap.rs` (`home_and_end_select_the_ends_of_the_grid`, `shift_arrows_extend_the_grid_selection`) | Z toggles zoom; `=` / `-` (and `+`) step the grid thumbnail size by 30 pt within the bottom-bar slider's 90–480 range in Photo Grid, Square Grid and People (nothing in Detail, Compare, Survey or Reference; a text field keeps the keys; ⌘= / ⌘− still zoom); Home / End make the first / last photo of the view the active, selected one and ⇧← / ⇧→ add the previous / next photo to the selection (the added photo becomes active; nothing is ever removed; at either end nothing happens), in Photo Grid and Square Grid only: they wait in the other views, in the full-screen preview, while a text field or a dialog has the keyboard, and when the user gave the key to a command; no compare, stacks keys |
| KEYC-RATING | Classic rating/flag keys (1–5, ⇧1–5, 6–9, P, X, U, ⇧X, ⇧U, `[` `]`, \`, ⌘↑ ⌘↓) | P2 | 🟡 | `cmd:photo.rate`, `cmd:photo.pick`, `cmd:photo.flag`, `cmd:photo.cycleFlag`, `cmd:photo.increaseFlag`, `cmd:photo.decreaseFlag` | 0–5 / Shift+0–5 and 6–9 / Shift+6–9; P/X/U, Shift+X/U and grid Shift+P work; ` (backtick) cycles each selected photo's flag unflagged → pick → reject → unflagged and ⌘↑ / ⌘↓ (Ctrl on Windows/Linux) raise / lower it (reject < unflagged < pick, clamped); one undo step, Compare/Survey act on the active photo, Auto Advance follows; tests cover batch/undo, active Compare candidate and text focus. Missing: Shift+P outside grids (Presets), filter-bar keys |
| KEYC-COLLECTIONS | Classic collection keys (⌘N, B…) | P2 | 🟡 | `cmd:dialog.newAlbum` | ⌘N new album; no quick collection |
| KEYC-METADATA | Classic keyword/metadata keys (⌘K, ⌘S, ⌘⌥⇧C/V…) | P2 | 🟡 | `cmd:photo.saveMetadataToFile` | ⌘S saves metadata; no keyword sets, metadata copy/paste |
docs/raw-parity.md
+21 -20
View File
@@ -78,45 +78,45 @@ committed table is stale.
| Maker | Adobe models | verified | unverified | preview | unsupported | Main reason for preview / unsupported |
|---|---:|---:|---:|---:|---:|---|
| Sony | 149 | 86 | 51 | 10 | 2 | DSLR-A200…A390 and A850 12-bit compressed ARW (preview, #535); A100 preview-only and DSC-F828 refused (#702 fixed the regression; their raws aren't decoded); SRF not imported |
| Canon | 134 | 12 | 99 | 21 | 2 | CRW (2000–2004 bodies) preview; EOS-1D / 1Ds TIFF raws not imported |
| Samsung | 128 | 4 | 115 | 9 | 0 | compressed SRW (NX1, NX30, NX300, NX500, NX2000, NX3000, NX3300, NX mini, Galaxy NX) |
| Apple | 113 | 1 | 112 | 0 | 0 | — (DNG / ProRAW) |
| Sony | 149 | 94 | 43 | 9 | 3 | DSLR-A200…A390 and A850 12-bit compressed ARW (preview, #535); A100 preview-only and DSC-F828 refused (#702 fixed the regression; their raws aren't decoded); SRF not imported |
| Canon | 134 | 95 | 16 | 21 | 2 | CRW (2000–2004 bodies) preview; EOS-1D / 1Ds TIFF raws not imported |
| Samsung | 128 | 10 | 109 | 9 | 0 | compressed SRW (NX1, NX30, NX300, NX500, NX2000, NX3000, NX3300, NX mini, Galaxy NX) |
| Apple | 113 | 4 | 109 | 0 | 0 | — (DNG / ProRAW) |
| Panasonic | 104 | 93 | 11 | 0 | 0 | — |
| Nikon | 99 | 73 | 23 | 0 | 3 | COOLPIX 5700 / 8400 / 8800 decode wrongly (two stacked half-height fields, CMYG read as RGB); HE / HE★ is a per-shot setting, preview-only |
| Nikon | 99 | 77 | 19 | 0 | 3 | COOLPIX 5700 / 8400 / 8800 decode wrongly (two stacked half-height fields, CMYG read as RGB); HE / HE★ is a per-shot setting, preview-only |
| Fujifilm | 97 | 65 | 9 | 23 | 0 | pre-X FinePix RAF without a raw IFD (estimated split) |
| Google | 88 | 1 | 87 | 0 | 0 | — |
| Olympus | 71 | 3 | 9 | 59 | 0 | **compressed ORF** |
| Google | 88 | 5 | 83 | 0 | 0 | — |
| Olympus | 71 | 17 | 3 | 51 | 0 | **compressed ORF** |
| Leica | 61 | 27 | 34 | 0 | 0 | — |
| Xiaomi, Oppo, LG, Huawei, OnePlus, Motorola, Nokia | 139 | 0 | 139 | 0 | 0 | — (DNG) |
| Pentax / Ricoh | 60 | 40 | 20 | 0 | 0 | — |
| Hasselblad | 34 | 1 | 2 | 31 | 0 | Hasselblad-compressed 3FR / FFF |
| Hasselblad | 34 | 7 | 2 | 25 | 0 | Hasselblad-compressed 3FR / FFF |
| Phase One / Leaf / Mamiya | 59 | 1 | 0 | 43 | 15 | IIQ, MOS preview; TIFF raws not imported (MEF decodes) |
| Casio | 26 | 0 | 26 | 0 | 0 | — (DNG) |
| DJI | 21 | 4 | 17 | 0 | 0 | DNG |
| OM Digital Solutions | 7 | 0 | 0 | 7 | 0 | **compressed ORF** |
| Kodak, Konica Minolta, Epson, Sigma, GoPro, Contax, others | 56 | 0 | 14 | 27 | 15 | DCR, GPR not imported; KDC, MRW, ERF, X3F preview |
| **All** | **1,446** | **259 (18%)** | **919 (64%)** | **232 (16%)** | **36 (2%)** | |
| Kodak, Konica Minolta, Epson, Sigma, GoPro, Contax, others | 56 | 6 | 11 | 24 | 15 | DCR, GPR not imported; KDC, MRW, X3F preview (Epson ERF decodes) |
| **All** | **1,446** | **545 (38%)** | **651 (45%)** | **212 (15%)** | **38 (3%)** | |
## By use (estimated)
| Bucket | Weight | Camera fully works | On a verified body | Why |
|---|---:|---:|---:|---|
| Canon | 33% | 94% | 72% | 18 of the 22 popular bodies write CR3; 26 CR3 bodies verified (raw.pixls.us has a CC0 file for each), the rest at 0.6 |
| Sony | 27% | 98% | 91% | bulk-checked |
| Nikon | 16% | 98% | 83% | decoders cover every NEF coding but HE; 73 bodies verified |
| Canon | 33% | 95% | 93% | 18 of the 22 popular bodies write CR3; 26 CR3 bodies verified (raw.pixls.us has a CC0 file for each), the rest at 0.6 |
| Sony | 27% | 98% | 92% | bulk-checked |
| Nikon | 16% | 98% | 89% | decoders cover every NEF coding but HE; 77 bodies verified |
| Fujifilm | 10% | 94% | 92% | |
| Panasonic | 4% | 100% | 98% | bulk-checked |
| OM / Olympus | 3% | 6% | 5% | compressed ORF |
| Phones | 3% | 93% | 1% | DNG |
| Pentax / Ricoh | 1.5% | 94% | 14% | |
| Phones | 3% | 93% | 4% | DNG |
| Pentax / Ricoh | 1.5% | 99% | 80% | |
| Leica | 1% | 99% | 72% | the Q3 verified, 13 more bodies pinned on CC0 files |
| DJI | 1% | 95% | 0% | |
| Medium format and others | 0.5% | 23% | 1% | IIQ, 3FR, X3F |
| **Weighted** | 100% | **92%** | **59%** | |
| DJI | 1% | 96% | 19% | |
| Medium format and others | 0.5% | 29% | 8% | IIQ, 3FR, X3F |
| **Weighted** | 100% | **94%** | **85%** | |
About 5 in 6 raw photographers' cameras decode, but only about 2 in 5 use a body we have actually
checked, and Canon, the largest bucket, is the weakest of the big four.
About 19 in 20 raw photographers' cameras decode, and about 5 in 6 use a body we have actually
checked (the per-model CC0 sweeps of October 2026); compressed ORF (OM / Olympus) is the largest gap left.
## Variant matrix (depth per format)
@@ -310,3 +310,4 @@ Beyond decoding:
| 2026-10-10 (later) | minor | Lens profiles: Sony ILCE-7RM6 in-file distortion next to the ILCE-7RM4A's (its lateral CA parsed, off by default); lens score unchanged (~10%: one more body) |
| 2026-10-14 | minor | 97 Canon CR2, Pentax and Ricoh models verified (one CC0 raw.pixls.us file each, pinned, checked against the camera JPEG; `canon_pentax_corpus.rs`): 334 verified, 844 unverified, 232 preview; 50% of photographers on a verified body; use-weighted 85% unchanged |
| 2026-10-14 | minor | Integration batch 36: CC0 per-model verification for 117 Nikon/Fujifilm, 97 Canon CR2/Pentax/Ricoh, 21 Sony/Leica and 23 Olympus/Samsung bodies, 22 more CR3 bodies and 30 more models; Epson ERF and Mamiya MEF decode; measured Nikon image areas (#1053, #1770): 515 verified, 675 unverified, 218 preview, 38 unsupported (re-measured with `coverage.py`) |
| 2026-10-15 | minor | By-maker and by-use tables re-measured with `coverage.py` after batches 36–39 (545 verified, 651 unverified, 212 preview, 38 unsupported; ~94% of photographers' cameras fully work, ~85% on a verified body); rows the per-model PRs had updated are current again |