An X-T30 RAF shot in Acros embeds a black-and-white camera JPEG, so the
per-file look fits only the tone curve, and the colour came from the
neutral "camera RGB ~ sRGB" fallback: a grey sky and muted colours. The
raw decode (lossless compressed) was correct.
Add a hand-kept SAME_SENSOR alias list next to the generated
rawtoaces-data table: the 26.1 MP X-Trans CMOS 4 bodies (X-T30, X-T30 II,
X-Pro3, X100V, X-S10, X-E4) use the X-T3's measured matrices, and their
white balance reads in Kelvin through them.
Photo ▸ Edit In ▸ Open Original in Other Editor handed a photo's stored path
straight to `open` / `xdg-open` / `explorer.exe`, with `Path::is_file()` as the
only check, and Lightroom catalog import kept original paths exactly as the
catalog had them. A crafted `.lrcat` could therefore put `payload.exe`,
`start.lnk`, `run.bat`, `page.hta`, `Evil.app` or `go.command` into the library
and have it run on one user click.
- `lightcraft_engine::open_path`: one gate for every path that leaves
LightCraft for the OS. The extension must be one LightCraft reads
(`import::EXTENSIONS`, which already covers the Edit In copy formats
`tif`/`tiff`/`psd`), it must be a regular file (so a `.app` bundle and any
other folder are out), what a link resolves to must be a read type too, and
what is handed over is the absolute path. A refusal is the sentence shown to
the user.
- Open Original and Edit In go through it; a refused photo is listed in
`skipped` with the reason, and the menu item is greyed out for a record that
can never be opened (extension only, so no disk or share is touched while a
menu is drawn).
- `lightroom_catalog::refuse_non_media` drops such images where the catalog is
read and again where its photos become records, with a warning each, so a
refused entry never becomes an openable library record. A virtual copy of a
refused original goes with it.
Tests: a catalog naming a program (and a virtual copy of it) imports neither
while the catalog's real photos do; a library record naming a program is never
handed to the stub launcher, which records no invocation, and a program
selected beside a photo leaves only the photo, by absolute path. Both fail
before this change.
Co-Authored-By: Claude <noreply@anthropic.com>
These files carry no JPEG: their preview is an uncompressed 8-bit RGB
IFD (1217 x 913 in the H4D-40 FFF, 218 x 218 in the CFV 3FR). The
largest such image is handed on by embedded_preview as a small baseline
TIFF, which lightcraft_codecs::decode reads, so 3FR / FFF show a preview
in the grid and loupe before they are developed. No Orientation tag is
written: the raw file's applies, as for JPEG previews without one. The
FFF's 16-bit copy (with a TransferFunction of unknown meaning) is not
used.
decode_raw_preview applied a container-declared colour space by forcing
the JPEG decoder on any owned preview; it now checks for JPEG bytes, so
a wrapped TIFF (or a JPEG XL preview) goes to its own decoder.
Checked on the CC0 H4D-40 FFF and CFV 3FR through
embedded_preview_srgb: right colours, the 3FR upright through its
Rotate90. Tests cover the wrap, the choice among RGB images, a short
strip and truncated files.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01J2NDVXA8jQQWeJb4YVTb6b
An FFF (a 3FR converted on the desktop) has no colour matrix of its own:
the camera's stays in the original 3FR header the FFF carries as a
complete TIFF in private IFD0 tag 0xC51B. The new vendor::hasselblad
reader decodes 3FR / FFF through dng::decode_as and, when the file has
no matrix, takes the matrices from that header, so an FFF no longer
develops with the "camera RGB = sRGB" fallback (H4D-40 as-shot white
moves from xy 0.279, 0.356 to 0.325, 0.336).
RGGB checked against the camera preview on the CC0 H4D-40 FFF and CFV
3FR (raw.pixls.us 931 and 709). Synthetic tests cover the embedded
matrix, an own matrix winning, a missing or damaged header, and
truncated files.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01J2NDVXA8jQQWeJb4YVTb6b
The Print dialog's Page section gets Lightroom's Page Options for Single Image
and Contact Sheet: the page number at the bottom right, the print settings line
(sharpening, profile, resolution) at the bottom left, and crop marks at the
corners of each photo. They are `print.set {page: {pageNumbers, pageInfo,
cropMarks}}`, saved with templates, drawn in the preview and composed into the
PDF; marks and text turn white on a dark page.
The HDR / Panorama / HDR Panorama dialogs now open with the options of the
last merge of that kind instead of the defaults, and those options are kept
in the library's prefs.json (Session::last_merge) so they survive a restart.
"With Last Settings" and HDR for Each Bracket Set read the same store.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Batches 36's doc conflicts kept main's side of rows both sides had touched; for some, main had not changed the row,
so the PR's update was lost. Restored: LR-VIEW-FILMSTRIP (#1482), KEYC-COMPARE (#1491 + #1555), LR-IMP-LOCAL
(#1547 + #1820), LR-LIB-STACK (#1556), gaps 28 (#1555), 2 (#1029) and 23 (#1038), ROADMAP UI/UX (#1038). The
raw-parity by-maker and by-use tables are re-measured with coverage.py (545 verified, ~94% / ~85%).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Windows ARM64 on main failed since batch 36: #1479's scripts pinned 8dcdacd, which predates the Thai face #1311
made required.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Georgian next to Italian in the language table, menus, catalogs list and docs; ka-formats.json lists the format
strings other PRs added, in English until translated.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Brandon Thomas